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Fake Skin - 3D Face Set

The most complete practice environment in the ElitePMU lineup. This 3D silicone face set includes a full facial form with anatomically positioned brow, eye, and lip zones — giving you a structured practice tool that mirrors the actual geometry of client work in a way no flat panel can approach.

At a glance

  • Full 3D silicone face with brow, eye, and lip areas accurately positioned
  • Anatomically correct surface contours and facial proportions
  • Accepts PMU pigments across all three treatment zones
  • Compatible with the 3D Face Hard Base for hands-free working stability
  • Designed for refillable use — replacement inserts sold separately

Why this form

Flat skin teaches stroke quality. A 3D face teaches proportional mapping. On this form, you discover how the brow arch relates to the orbital rim at actual eye level, how the Cupid's bow sits in proportion to the nose, and how liner strokes must follow a curved lid surface rather than a flat one. These are not abstractions — they are the real decisions every artist makes in every session, and this form is where you build the instincts to make them confidently before a live client is in your chair.

How to use it

Seat the face insert on the Hard Base (sold separately or as part of a set) at your standard working height. Map a full brow design using nose bridge, pupil, and lateral canthus reference points directly on the silicone. Follow with an eyeliner pass on the lash line — notice how needle angle must adjust as the lid curves. Finish with a lip design contained within the vermilion border. Run a complete mock session across all three zones in sequence, including your setup, treatment order, and finishing review, just as you would with a real client.

Care

Wipe down the silicone face insert with isopropyl alcohol after each session. When the insert reaches the end of its practice life, replace it with the 3D Face Refill. The hard base is permanent and reusable — it does not need replacing.

Who it's for

Advanced students bridging from flat practice skin to live client work. Working artists rehearsing full-face workflows before launching a multi-service menu. Educators running multi-service training sessions where ergonomics and proportional mapping are as important as individual stroke technique.

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